
Chris is a composer, musician and educator living in Titirangi, West Auckland. Chris has experience in teaching
conducting and performance with diverse groups including school/church choirs, samba schools, brass and
woodwind ensembles, baroque ensembles and many other diverse combinations. Chris has composed in many
different styles and is currently working on two on-going projects featuring jazz and Brazilian vocalists.
Nomades:
A contemporary solo piano work combining modernist and tonal influences, drawing on a lineage from Malcolm Arnold through to Prokofiev and Charles Ives.
Assemblages
A three-movement work exploring the relationship between modernist harmonic language and the traditional sonority of brass ensembles.
Songs of Innocence and Experience
Songs drawing on English art-song traditions, with influences from Ralph Vaughan Williams and Benjamin Britten, combining lyrical vocal writing with expressive piano textures.
Songs of Regret
A set of songs influenced by William Alwyn’s Mirages (1970), with a Romantic pianistic language recalling Schumann and Schubert.
Disney-esque
Morning's Here
When the Summer Clouds Are Over
Not Now
Memória e Sensação
A collection of six songs exploring Brazilian forms including: Samba, Bossa nova, Baião, Forró & Brazilian-influenced crossover styles.
Commercial and Applied Music
A catalogue of short-form works including: advertising music, radio idents & short instrumental pieces.
Call Me Up - Interview
Max Whitehead talks to Dr.Christopher Naughton and Andrew Healey
Abstract Relations
Film Soundtrack
CITIES NEW AND OLD
A blues recounting a woman's response to unwelcome attention.
PUBLICATIONS


Art, Artists and Pedagogy (Routledge)
This collection explores philosophical approaches to arts education, asking how artistic practice, pedagogy, and subjectivity intersect in contemporary education.


The Thrill of Making a Racket
This book examines two case studies in England and New Zealand in which student teachers engage with samba as a form of community music-making. Drawing on Nietzsche and Heidegger, it explores how music education can move beyond technical instruction toward cultural, experiential, and participatory learning.


Changing Places
A collaborative project exploring new approaches to early childhood music education, focusing on:
Child-centred learning
Collaborative teaching practices
Reflective and digital pedagogies


MAPS: Move, Act, Play, Sing
A major research project investigating performing arts in early childhood settings through:
Artist-led interventions
Improvisation and relational pedagogy
Integration of music, movement, and drama


Creative Arts as a Service Industry
This paper considers the implications of an industrial approach to the arts within tertiary education and the impact this
has had in validating the linkage to the arts within schools.


Can Carnival save us from the Masquerade?
Learning that demands active engagement on the part of the student may challenge the masquerade of uniformity and uncritical compliance that currently persists.


Nietzsche's Apollonian and Dionysian Consciousness in the Context of Community and Classroom Samba


Revisiting the Cave:
Heidegger’s Reinterpretation of Plato’s Allegory with Reference to Music Education







